By Tracy Christensen

Guys and DollsGoodspeed Opera House

And as the curtain rises, you’re transported to a neon-lit evocation of 1950s Times Square…. and, of course, the Hot Box, where Miss Adelaide and her bevy of slinky chorines entertain nightly, wearing Tracy Christensen’s naughty, skimpy costumes and flirting happily with the customers. (In fact, the costumes throughout are outstanding, whether the scarlet uniforms at the Save-A-Soul Mission or the sharp plaids and pinstripes for the cardsharps and mobsters.

 

Entire New York Times Review

Production Photos

Guys and Dolls, Goodspeed Opera House
Guys and Dolls, Goodspeed Opera House

City of AngelsGoodspeed Opera House

Tracy Christensen’s costumes provide an infallible guide to which is which: the characters bringing Stine’s movie script to life wear only black, white and gray; Stine and the other reality dwellers dress in greens, browns, rusts and other Bakelite hues. 

 

Entire New York Times Review

Production Photos

Laura Kingsley (Liz Pearce) and Stone (Burke Moses) in City of Angels at Goodpseed Opera House
Laura Kingsley (Liz Pearce) and Stone (Burke Moses) in City of Angels at Goodpseed Opera House

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AbundanceHartford Stage – NY Times Review

Tracy Christensen’s costume design achieves a 19th-into-21st-century universality, with the men’s wardrobes heavy on denim and the women in some boot styles and skirt lengths that have appeared in Vogue in our lifetimes.

 

Read the New York Times review of Abundance at Hartford Stage:

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Brenda Withers as Macon and Monique Vukovic as Bess, in Abundance, by Beth Henley, at Hartford Stage. Photo Credit: T. Charles Erickson